As original plays about Hawai’i by Hawaiian playwrights unfold within the spare, black walls of Kumu Kahua’s intimate 100-seat theatre, changing perceptions about life in these islands are unforgettably altered.
“It’s a risk to do new works, but when you stop that, art dies,” says the always thoughtful and candid artistic director Harry Wong. “At Kumu I get to do plays I think are important and need to be heard.”
Like this 39th season’s first, The Statehood Project, a powerful commentary developed by in-house with local playwrights and poets to uncover diverse perspectives on statehood’s impact; or, Eric Yokomori’s House Lights and Prolonged Sunlight, which investigates the human condition via expertly nuanced scenes in the tradition of the theatre of the absurd. (Of course, this March and April you’ll be treated to a revival of Steven Goldsberry’s narrative Maui the Demigod.
You have to let your imagination go when you see a show at Kumu,” says Wong. And, he hopes, after each performance audiences re-enter the Honolulu night exhausted, elated, thinking deeply and differently.
Originally published in Modern Luxury Hawaii 2009
LL
“I am, as usual, doing too many and too few things at once,” says artist Gaye Chan when asked what she’s currently working on. Tickets for HIFF Ohana members ($8) on sale Monday, April 5th | general public ($12) on Wednesday, April 7th.
Did you hear? Honolulu-based Mutual Publishing is joining the self-publishing business with its new SCRIPTA division.
Authors can submit their memoir, novel, private manuscript and what-not to Sripta, which Mutual then copy edits, designs, prints, binds and ships to the author. They promise the finished product will match “the quality of other trade books available in the marketplace,” which LL assumes means Mutual books in the Hawai’i market. The author then takes on the responsibility of distributing, selling and publicising the book.
It certainly offers local storytellers an easier avenue to get their stories down on paper, but I’d like to hear from anyone who has used it or has ideas for authors wanting help with the second part–distribution, pr and sales.
On another note, a Mutual rival of sorts has entered the market; Lo’ihi Press is headed up by Robert Barclay (of Melal fame) and will be publishing the late Ian MacMillan’s final novel this winter.
This powerful debut work is informed by the author’s firsthand experiences.
The debut novel by Randy Susan Meyers — whose family hails from Miami — dives fearlessly into a tense and emotional story of two sisters anchored to one irreversible act of domestic violence. The narrative’s dual narrators, Lulu and her younger sister Merry Zachariah, become innocent casualties when, in a terrifying scene relayed from Lulu’s childhood perspective, their father murders their mother. Meyers painstakingly traces their lives to show just how much everyone else pays for that one act of violence.
Somewhere along Honolulu’s art-scene spectrum, between long-established institutions like the Honolulu Academy of Arts and grass roots Chinatown events, something important is missing. That’s what the founders of Interisland Terminal think, and it’s a gap their independent art incubator is designed to fill.
“Our mission is not just to exhibit art, but to do so with the idea that art is essential to the development of our community,” says co-founder Wei Fang. “We need to develop creative thinkers and creative capital if we’re going to survive, innovate and grow.”
Since April 2009, every other month Interisland Terminal continues to present a new program balanced between their focus areas of contemporary art, film and design. September’s rockin’ three-day Rock ‘n Roll Cinema series explored the funky world of fans and followers (like the hilarious and strangely moving film Anvil: The Story of Anvil), and their current architecture competition aims to stimulate a new era of local building design.
“We want to instigate art in our community,” says co-founder Sean Shodal, who also works as HIFF’s marketing and events manager. “We want to bring in outside people to see what’s going on here and feed it.”
This reciprocal stimulation of artistic creativity, in mini-doses instead of long, once-a-year festivals, is meant to keep us both hungry and fulfilled. Shodal says, “It’s a healthier way to get your art.”
**Note: Check out IT’s upcoming film and art installation in Waikiki this Spring.
interislandterminal.org
Shorter version published in Modern Luxury Hawaii, Winter 2009
Heenan divides his profiles into three categories—crusaders, combatants and comeback kids—and draws not only from education but such genres as sports, the military, climbing, and corporate downfalls. While the tales are meant to in some way illuminate character traits and strategies for converting adversity into success, they are written as an intimate glimpse behind the scenes. “From these portrayals of people under duress,” Heenan promises, “you’ll discover the roadmaps for negotiating rugged terrain, guides for forging your own bright triumph.”
Yet he does highlight six specific strategies at the start, delving into more detail at the book’s close—a list that somewhat ironically ends with “start now.” And throughout each story, adages can be easily plucked, such as Kansas State football Coach Bill Snyder’s disciplined, “future oriented,” positive mentoring and ability to meld disparate folks into a team.
But even if you’re not looking for how-tos for overcoming adversity, and perhaps even better if you’re not, the profiles are most compelling for their almost fly-on-the-wall perspective and Heenan’s personal access to each individual. Joel Klein’s story riveted because of the potential for applying his education strategies to American schools at large. The details behind commander Scott Waddle’s confrontation of failure directly after his submarine sunk the vessel Ehime Maru, killing nine Japanese citizens, is particularly captivating, as is Gary Guller’s rise to climb Everest even after losing an arm, and Hawai’i’s own Steve Case development of his post-Aol revolution plans.
Only a few seem to teeter on the edge of success, such as the tale of the Native American teenage mother Sacagawea repeated rescue of Lewis and Clark throughout their expedition to the West—it seems a bright triumph only depending on one’s point of view. And when discussing UC Berkeley women’s basketball coach Joanne Boyle’s impressive perseverance, describing Cal sidetracks him and her portrait falls a bit flat. There are also times his prose meanders, as if we’re traveling synapse routes in his brain.
But above all, his either consciously or unconsciously Obama-like message of optimism and hope gives Heenan’s book far reach—unveiling remarkable lives and applicable winning strategies that, as he hopes, “carry the unmistakable accent of commitment and a willingness to act.”