REVIEWED BY CHRISTINE THOMAS for AARP Magazine
For all her protestations of outside influence, Cardella’s root issue is psychological, not social. She used clothing to shape and reformat herself, creating a polished exterior designed to ward off self-doubt and insulate herself from grief at her mother’s death. Her fragile self-esteem funneled her right into “the lacquer of the good life,” and she liked this society-approved “external artifice” better than her own self and sense of style.








